In July of 1948, a writer and a photographer started on a journey for 41 days across Russia and the other Republics of Soviet Union in a quest to find out how does the common people act, “what do they serve for Dinner? Do they have parties? What food is there? What do they talk about?” . They were not interested in politics and instead try and understand the everyday Russian people if they can. They sold the idea to Herald Tribune and convinced the Soviet Embassy to give them necessary permissions and visas, and thus began A Russian Journal, by John Steinbeck and Robert Capa.
The two geniuses started their journey with a stop at Moscow, Kiev, Stalingrad and Georgia . They were assigned by the Government to help them navigate their journey’s as they visited farms, factories, nigh clubs and writer’s union dinners. They wrote about the suffocating flights where no food was served, so passenger’s carried their own food. They wrote about magnificent dinners which were put up on their honor by collective farms and farm managers and playrights. They attended local community theater and the scintillating ballet. They spoke to farmers, factory workers and the drivers who drove them around and documented everything they saw, including farms which had been burnt to the ground, by the invading armies, the complete destruction of Stalingrad and of heroic factory workers who fought to defend their factories and then went back to complete their work because the country needed their machines. They wrote about Russian music, including “popular music”, folk music and the Russian attempts at American Jazz, They spoke of the dignity of a city destroyed but still standing tall and the beauty of Georgia. They also captured the essence of the Soviet populace with characters of being cold and bureaucratic in Moscow and larger than life, boisterous people of Georgia; of women who crawl out of destroyed buildings and fix their hair on the way to work and of now demobilized soldiers working in the factory wearing their army clothes because that was all they owned. They also discover that the people in Soviet Union have the same questions that they themselves had about USSR – what do people eat, what do people wear, how do their farms work?
The book does what it set out to do – describe the everyday life of Russians. Steinbeck with his innate brilliance manages to convey facts, with humor and empathy with a deep understanding of mankind. Capa’s photos, black and white capture every singular detail of what it is to live everyday, work everyday and build back a life that had been brutally torn apart. The book is alive with the presence of hard and long fought battle and it comes through in every page – farms destroyed, families with pictures of son’s lost in the war, of a magnificent city called Stalingrad, destroyed to pieces, but still holding on. This book was written as the “Iron Curtain” described by Churchill was descending between the former allies of USSR and USA-England allies and before another bout of Stalin’s purges. In the introduction to the book, scholar Susan Shillinglaw states that the lives and facilities described in the book was a carefully staged act provided by the Soviet Government and all succeeding books have similar description. It may have been stage managed, the USSR government was hardly known for it’s benevolent and tolerance for any kind of dissent, but the jokes that the farm wit cracked and the dignity with which people struggled to re-build their lives cannot ever be “created” and here lies the brilliance of the two in not only being able to capture those moments and pieces, but managing to masterfully communicate the deep understanding of courage of human soul, while reporting everything factually. The book is replete with insightful observations about Soviet people; while they appreciate the cleanliness of the cities and the good working conditions of the farms, that included apartments for the workers, schools and creches for the children and a clinic, they were smart enough to be able to distinguish between what was real and unreal and this comes through in a wry statements which they make through the book “Russian people live on hope, hope that tomorrow will be better than today.” “In Russia, it is always the future that is thought of. it is crops that will be next year, it will be the comfort that will come next year” The humor of both craftsmen keeps the book from becoming a dry document with observations like “Capa says that the museum is the church of Russia” or when they kept hearing about wait till you see Georgia “We began to believe that most Russians hope that if they live very good and virtuous lives, they will not go to heaven, but to Georgia, when they die.” To end, with some lovely photographs and sparse but powerful prose, the books makes you realize that the authors had succeeded in doing, what they had set out to do, tell stories about everyday people and help realize that “Russian people are like all other people in the world. Some bad ones, there are surely, but by far the greater number are good.”
If you have not read, it is high time you did! In this world where more than ever we are dividing ourselves in us versus them, this books stands as a historical testimony to the simple thought, that folks are just folks everywhere!
Shout out to Karen for setting me on the path of this wonderful book!