Writings From The East….

Karen over at Kaggsy’s Bookish Ramblings and Lizzy from Lizzy’s Literary Life are celebrating February as Reading Independent Publishers Month. There are of course several reasons to join this event, especially in a COVID 19 world, in which most such organizations are just keeping their head above water. My reasons for joining this event besides the usual support small organizations is that these publishers allow me to read a lot of Indian as well as other language literature, the ones that usually get overlooked in the more mainstream selections which are of course advertised more, available more easily and maybe easier on the budget. But reading events like these allow us to focus on alternatives and help us in inching along to becoming a little more wholistic in our approach and maybe consequently a little more aware and empathetic.

My selection for this month are two women authored books, writing under the shadow of two very different literary cultures and history, focusing of two different eras, yet managing to convey the same message.

The Many that I am is an edited anthology by Anungla Zoe Longkumer  and is a collection of fiction, non-fiction, paintings, graphic art and poems from Nagaland, one of the eastern most states of India. Published by the independent publishers Zubaan (literally meaning tongue or voice), it is spear headed by the iconic scholar and historian Urvashi Butalia, whose work I reviewed a few months back and seeks to tell the stories of the woman in this easternmost wing of India. The uniqueness of this book and the Naga culture generally is that it has always been an oral culture; there was no script until the Baptist missionaries came along in 20th century, and introduced to the tribes of this region Christianity and the alphabet. The writing therefore is a relatively new phenomenon and these authors/ poets are perhaps the earliest forerunner of the written art in their geography, slowly building a history from a language not their own, trying to discover words, that describe their lives and reflect their feelings.

The book consists of several short stories and a few essays and several poems, some of them are English renditions of traditional songs passed down from one generation to another. The stories are mostly set in the present time, reflecting the difficult integration into global world, where some things simply may get lost or makes no sense. The narratives are primarily woven around the Naga women and the many facets of their lives. Among this hill tribe, in a traditionally patriarchal society, women are subjected to many kinds of torture, including rape and domestic violence. Yet, what comes across in most of the stories is the rebellion, resilience and the sheer audacity of the women in these tribes, to live, thrive and build a life of their own. Cut Off by Vishu Rita Krocha succinctly captures the history of the land and how intervention by women always leads to a more peaceful, amicable resolution. Old Man’s Story by Jungmayangla Longkumer describes the life of an unorthodox village woman who married a man 5 years younger to her and dedicated her life to making clay pots that would enable them to pay for the expensive education for their children. The stories of Martha’s Mother by Hekali Zhimomi and Vili’s Runaway Son by Abokali Jimomi, bring to the front the ingenuity and sheer unwavering faith of mothers, with limited resources, trying to map out better and safer lives for their children. The essay When Doors Open by Eyinbeni Humtsoe -Nienu talks about the small rebellion by the grandmother of the author, who would let her daughter, sneak out in the middle of the night to attend night school. This in turn allowed, the daughter, the author’s mother to get a clerical job with the government which paid for the author and her sibling’s education. Today the author is prolific writer as well a professor at one of the Indian universities. There are some wonderful poems that focus on identity and meaning of being a woman in a Naga society, like a No No No Woman by Rozumari Samsara and Self Portrait by Beni Sumer Yanthan.

British Survey Party in Naga Hills by R.G. Woodthorpe , 1874-75
Source -Royal Anthropological Institute archives

The book needless to say was an eyeopener to me even though I belong the same country as the writers; but India is such a vast melting pot that we sometimes miss the very thing which is our own and such an integral part of the Indian identity and heritage. For this fact alone, I am so glad that works like these are being published by these spirited independent organizations.  The glimpse of the culture and history that this collection brought of this remote eastern region of my country was both intriguing, increasing my curiosity to learn more and also more importantly, a reality check on how isolated is my understanding of my own land, living in urban metro with all the comforts of life home delivered. Infact among the many wonderful things about the book, the deep insights into the culture of the tribes that make up Nagaland is one of the strongest features of this book. All the writers have in their own way conveyed the cultural heritage that has been part of the fabric of this land, the coming of Christianity which after initial conflict with local tribal practises was integrated into the Naga society and the lure of modern city life that is taking people away from the traditional structures are poignantly brought out through this book. The selection is very comprehensive, covering a host of genres from fiction to poetry to essay to graphic art and explores a vast range of subjects from World War II, the separatist movement, the Christian missionary work and the domestic lives of the people. Each tale is very different from the other and yet held together by the running theme that underlies this collection – women narratives and their perspectives. What stood out to me more than anything else, is how these authors have taken the English language and crafted it into their own style; so, the writings are all in excellent comprehensible English, and yet it brings the flavour of Nagaland and her people; making it a very unique reading experience.

This book is a must read for anyone trying to understand cultures and conflict among cultures and the role women play in such a society, despite the patriarchal roots. It’s a brilliant and bold attempt by Zuban Publishers & Anungala Zoe Longkumer

I will follow up on the second book as part of this project in my next post.

The Diary She Wrote….

These have been very stressful weeks and this last week was no different. By the time Friday was done, all I wanted was a good book to steer my mind from professional and personal challenges, smart enough to be meaningful and funny enough to distract me from past events! Now it so happened, in this frame of mind, I embarked on toggling through by favorite bookish blogs and I saw that O had just done a Nostalgia post – books  from which she sought comfort to take her mind off from the recent snow infested disasters around her home! Among the long list, one book, she referred to was Diary of a Provincial Lady by E.M. Delafield and the novel settings seemed like the most perfect read. I also remembered that Jane had couple of years back an enthusiastic review of the book and that kind of sealed the deal. I mean O and Jane are two people with irreproachable bookish taste and if they say its good, chances are it will be good! Oh! the joys of bookish blogs, none but the book obsessed understand – you find readers-in-arms who are completely supportive, empathetic and as added bonus, have the right book recommendation to get you away from the mundane reality!

IMG_20180311_171526482_HDR

Thus began my tryst with the Provincial Lady, living in a country near Plymouth, in between the two wars, probably around 1930s. She is married to a laconic but practical land agent, Robert and has two adorable but handful children, Robin who is away at school for most of the year and six year old Vicky! The household further consists of the Mademoiselle, the sometimes high strung, but always sympathetic governess to Vicky, the Cook who rules the household and itinerant round of parlor maids/menservants. The Lady’s life is of course anything but “leisured” as wonders herself! When involved with managing  the servants, house, husband and children, her time is taken up with the Women’s Institute, writing for the Time and Tied magazine and the social life within the country. Then, there are interludes of visits to London, ostensibly to procure a parlor maid, but primarily spent in shopping, dinner and theater, with her best friend Rose as well trips to South of France and the English coast. Then there are her neighbors like Lady B, the Vicar’s wife and many others whose actions and conversations take up much time and thought in the provincial lady’s already busy life, which trundles along among  home, travel, bank overdrafts,illness and social activities!

I often agree, with my fellow readers, that all books have a time and a place and this book came at the most propitiate moment in my life and rescued me from gloom and doom! Through the eyes of the Provincial Lady, I found much to be satirical about mankind and further more, I found hilarious laugh out loud moments! Ms. Delafield took the everyday life and turns it on its head, to make it look like one gigantic joyride, despite all the challenges. Her struggles in 1930s are as real as now and her relief and enjoyments remains as much fun, nearly 100 years down the line. I loved the brisk pace and crisp writing of even some of the most complicated situations that life presented! The brilliance of Ms. Delafield comes across especially when narrating a wholly embarrassing situation in a self deprecating yet extremely humorous manner! I loved her tongue and cheek take on Orlando and Vita Sackville West as well as her dislike for “cultured recreations” like the Italian exhibition! But for all its witty sparkle, what I loved most about the book was the subtle vein of commentary on women’s equality and classless society, which she superbly weaves into the narrative!

To say I have become a devotee is an understatement; I am a convert, who will now go out to the world to convert more into the Delafieldian clan! Vi Va Ms. Delafield!